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  In their Japanese Cinema Encyclopedia: The Sex Films, Thomas
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  Hour has a status as the most intense of the series.
  Two many years later on, the profitable release of Kōyū Ohara's Zoom Up: Rape Site, late in 1979, returned
  the style to Hasebe's authentic "extremely-violent" eyesight.
  This release employed a new master struck from the primary
  damaging, with scratches and flaws corrected.
  The movie is claimed by some Japanese critics to be a commentary on the state of filmmaking in Japan at the time of its release.
  Jasper Sharp uses Rope Cosmetology to aid explain Tani's reputation in the pink movie genre.
  Jasper Sharp also provides the film a damaging appraisal, calling it the poorest of Hasebe's films that he discusses in his Behind the Pink Curtain: The Complete History
  of Japanese Sex Cinema. According to Sharp, the movie trivializes
  the psychological results of violence on gals to a ludicrous diploma, showing the victims taking pleasure in the attacks to the level in which one truly provides her attacker income,
  and asks him to return. Because of the outcry more than the film, Nikkatsu requested that the extraordinary violence in long term "Violent Pink" films be curtailed.
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